Stream Reggae Music - Zion Lion of the Twelfth Judaic Tribe
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History of Marcus Garvey and U.N.I.A.
History of Emperor Haile Selassie
The African Union was formed consequential to the forming of the O.A.U.
Akan Asante People of Ghana West Africa (ECOWAS)

About Russ Disciples:
Russ Disciples began his career under the wing of Jah Shaka in the mid-1980's, specifically 1985. Releasing crucial tracks with Jah Shaka during 1985-1989 he gained proficient skills in Dubbing, Dubmatic Fixes, and Dub Engineering, excelling in the orchestrated usage of echos, delays, reverbs, modulate, and other sound reformation tools commonly used by Dub Artists in modern times. Experimenting in dub became a passion of his during this time. Russ D experienced a break in production during 1992-1993 due to injury caused by an accident. He slowly regained his stature and began his career again in 1994, working more maturely in dub - vacating the amateur sound stylings used in his earlier career. From 1995 onwards, his Dub styles have become more varied depending on the artists he records, the quality and tonality of recorded sound waves, and other constituent factors in concern to material. Given his works excel beyond many common dub artist working in the music business today, it is worthy of review the techniques utilized by him and his associated engineers. Considering that Russ D is a classic name in the Dub Music and Reggae Music Business, we are showcasing his tunes, up to 10 Stream Sets in the next 12 months in dedication of his profound sound and the works he completed efficaciously with Martin Campbell prior to his passing. Russ D currently dubs with the passion of an expert, and we strive to encourage him to be influenced by the shear music energy of groups such as Ras Kwasi / Ghanaman / Gold Moor Sound, Vibronics, and Bobby Digital from Jamaica. Seeing that his tunes cannot be matched by any Dub Producer in the industry, we are showcasing the works so other artists can learn from his awesome techniques and true respect for the craft of creative music production.

About Saba:
Saba is an excellent Rastafarian Chanter from Jamaica with broad talent. In Saba's performances we can see the pain and light towards understanding the pure evil of living in Babylon System. Given Slavery was incurred through the Genocidal Exploitation of West Africa, we strive to ensure Rastafarian Chanters will sing and document the history of the Akan Peoples in Ghana, West Africa - where many Jamaicans are from. Structured in the cadences of Rastafarian Chanters lyrics we hear the hope for a better society and a means to progress only known in War Torn Nations recovering from conflict. African Union Chanting is a topic we shall cover in many Reggae Stream Article Entries, given the extensive chanting we maintain streaming on the topic. We ask Rastafarian Chanters to speak about Africa, The African Union, Commonwealth Africa and the success stories associated with establishing unity, progress, democratic accord and the diminishment of Totalitarian Regimes. Since Africa is the home of Civilization and the home of early Religious Knowledge, we ask Rastafarian Chanters to document such constituent fact with the affordance of accomplished acknowledgement. (We are building a LightBox Application to share more data, including Video, Textual Reference, and Images about the artists we Broadcast on the Network, with the intent to display information intuitively.)
Sensi Seeds
Throughout the tracks on Ras Kwasi - Littell X Prophecies the listener will notice the utilization of Roots Reggae Drums and Snares integrated with Hip Hop cadences. The nature of the music is definitively influenced by Modern European Union Zone Dubstep and Roots Reggae Dub/Dancehall Dub.
Martin Campbell's Classic Album, Heat Of The Fire, released in 1990-1991 outlines key aspects of the struggle to fight against Babylon's System with acquired knowledge and acumen.
African Unity Series
Martin Campbell's Classic Album, Rootsman - The Real Thing documents parameters of living in Babylon with a society of unreliable institutions and a system of exploitation that renders societal accord to a low value.
Martin Campbell's Classic Album, Rootsman - The Real Thing documents parameters of living in Babylon with a society of unreliable institutions and a system of exploitation that renders societal accord to a low value.



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